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Words near each other
・ Papyrus Oxyrhynchus 94
・ Papyrus Oxyrhynchus 95
・ Papyrus Oxyrhynchus 96
・ Papyrus Oxyrhynchus 97
・ Papyrus Oxyrhynchus 98
・ Papyrus Oxyrhynchus 99
・ Papyrus Oxyrhynchus L 3525
・ Papyrus Platform
・ Papyrus roll-tied (hieroglyph)
・ Papyrus Rylands 458
・ Papyrus Rylands 463
・ Papyrus Salt 124
・ Papyrus sanitary pad
・ Papyrus stem (hieroglyph)
・ Papyrus Vindobonensis Greek 39777
Papyrus Volume I
・ Papyrus Volume II
・ Papyrus yellow warbler
・ Papza Mogu
・ Papà diventa mamma
・ Papà Pacifico
・ Papà prende moglie
・ Papà ti ricordo
・ Papá a la deriva
・ Papá Corazón se quiere casar
・ Papé
・ Papé Diakité
・ Papé Satàn, papé Satàn aleppe
・ Papéis Avulsos de Zoologia
・ Papër


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Papyrus Volume I : ウィキペディア英語版
Papyrus Volume I

''Papyrus Volume I'' is an album by American jazz trumpeter Bill Dixon recorded in 1998 and released on the Italian Soul Note label.〔Stubenrauch, R., (Bill Dixon discography ) accessed November 17, 2014〕
==Reception==

In his review for AllMusic, Steve Loewy states "All 12 pieces are fully improvised, yet filled with melodic wonders. The music requires the listener to pay close attention, but the rewards are there." At All About Jazz Glenn Astarita observed "On ''Papyrus Volume I'' Dixon and Oxley provide the listener with a series of miniatures that go straight to the heart as though the twosome were transfixed in some sort of mystical aura. Overall, the music represented here resides on an elevated plane, which becomes noticeable from the onset. Simply stated, Dixon and Oxley are a stunning duo as the music shuns classification!".〔Astarita, G., (All About Jazz Review ), February 1, 2000〕 JazzTimes' Peter Margasak said "While some of Dixon's work takes the form of achingly gorgeous melodies that float like finely etched clouds over Oxley's jagged architecture, more often than not he's wringing a dazzling wealth of coloristic sounds and textures from his horn, playing its mouthpiece or a microphone as much as he plays the trumpet itself. By now his vast catalog of noises and effects, many of them altered with thick electronic reverb, has been well-documented-evocative smears, blurts, blubbers, grunts and sibilant streams of air-but Dixon's ability to shape them all into something musical remains an astonishing feat of magic. Oxley is that rare kindred spirit who only enhances Dixon's playing".〔Margasak, P., (JazzTimes Review ), May 2000〕


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Papyrus Volume I」の詳細全文を読む



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